It 's a bit that I put some more updated photos. The
found in the box to the left as usual.
Friday, November 27, 2009
Back Pain More On Left Side
dusted off to a photo
It 's a bit that I put some more updated photos. The
found in the box to the left as usual.
It 's a bit that I put some more updated photos. The
found in the box to the left as usual.
Sunday, November 22, 2009
What Size Lumber For 16' Span
March 8 Maria Rita Cardarelli ESA
Hey you, take me to the sea on the first day of spring?
Not exactly what I wanted but it does the same.
chokes in these rooms and I need air
find an area of \u200b\u200bsea within me
A gust of wind during these days are as smooth as oil
paper on which the pad as a warrior disarmed
I'm here.
firmly on my legs
head-on look at the sky
ears and eyes open,
want to take this whole world and close it inside me forever
Whistle and I think how much I love this life and what
you love me
because I want it with all my strength.
Round and round in my blender
later, I go, I go up, down, and I think I recall eating nails
plucking the hair
Exhausted I collapsed
And at night I sleep like a log
Forget all
I look at the flowers in my garden, each flower a
remember, each petal a
affection, I wander among the small
avenues of my life I feel the scents
but I remember the sounds are not a prisoner of my past
have so much more to say. Now.
A smile for every passing day
A new hat, a silk scarf
,
essence of violet and behold the power of life
tickles my fingertips
and this rhyme
is not desired to be taken ironically
I liked you at all last time,
looked at me with an air of arrogant
who wants to take in hand
the silence that befits a reality so respectable
all together all together on Sunday morning
between a coffee and a croissant and you
, tray in hand with that
ready to lay it on the table with our
familiar gesture as
if everything were normal
but I have the courage to look
and you looked down in my eyes because
laws that
for you there's no tomorrow.
How far behind me, I observed everything and everyone
with the keen eye of an eagle
and I read the story in people's eyes
I'm in the middle As my life
ear that will not bend
The wind gives me suggestions:
the future is in my hands.
Alone on stage
I discovered the thrill of the exhibition
Shudder. Demonstrate
, pleasure, pleasure.
Something to be transmitted.
Emotion. Search
a tear in the dark
E.. find it.
emotion. Bowing
applause of the audience.
Pause: reflection.
What we took for granted
Today unfortunately it is not
Duro
But winning was even harder to maintain:
we can not lower our guard.
Exchange.
The life, times, ways. Change
love.
change the perspective of the meetings,
the line of my word.
change my face, between my teeth
just your smile.
Now it's night
trial and error to really think. What else should I tell
That still did not tell you. Let
words curled in a drawer.
powder, ink, paper,
worn feeling.
seductive curve
liquid eyes sideways
Different Frame of a love / perverse
Inside / outside
Inside / outside and go out later
I do not stop
between my breasts
There
my heart You are my flower in the desert
They told me to shut up
And then I thought. The thought is not quantifiable
And then I thought
infinity in infinite time.
And I still think, even without limits
vague thoughts on rough, steep
thoughts,
wonderful adventures
all mine, mine alone.
light floods the room-
Lie.
A man sleeps,
imagine his dreams. By
noiselessly into the abyss of his sleep.
take upon myself the pain
The melt into a river of laughter.
The rain falls in drops
Small, compact.
My water comes from the eyes
and mingles with the sea.
with salt water with salt water drops in my eyes
The immensity of the sea and sail by night
And we get lost in the dark with water
will arrive sooner or later.
The woman looks puzzled his future
red glow in the window curtains of the house.
sweaty sheets spread out to dry. One night love
consumed recently.
A train has gone, another will come.
Sit down here beside me.
Let the storm arrives.
Give me your hand and breathes quiet:
there is no fear, no pain, only black sky
and red lightning.
Breathe with me:
our time has come.
The woman looked at the sea
And there was nothing poetic in this.
comment was meticulous, punctual,
the slightest variation on the state of things.
Despite his white hat
There was nothing poetic.
Distant,
indulgent at all, even with the sea
:
too blue.
Maybe we should sit down and talk.
Words that are struggling to get out.
drivers seem ready to take off.
seatbelt fasten.
of what I think
I did not say anything, just imagine
for days and nights,
but then when I try to speak, comes out a sound
distracted, rustling.
It 'an album that crackles.
throw, going to sleep.
Irish Farmhouses 19th Century
BANG
micromuseo
street market spoleto info@micromuseo.it 21 224 973 0743 tel 3296128911
ESA BANG AL MICROMUSEO IN "THE WEDDING WEST 'LIVE PERFORMANCE
Saturday, July 8 at 20:00 and repeated at 23:00 Esa Bang is at stake within 21 micromuseo in V.del Market Spoleto.Quanti wanted to interact within the micromuseo as active spectators will have to book the presence of performance given the limited space disponibilita'di (telephone 329 6128911 curator Luca Ricci). The entrance and 'free artist
is recommended so that' not involved minors, and women with heart disease incinta.Enzo currents take care 'of the "Western Bride" in quality' of Umbro costume and climbed up the photograph.
the scene will remain ' that of the current exhibition on cinema and music rivoluzione.La sara'curata technically by DJ Rome Sydney, curator Luca Ricci
join in this press release also attached the text critical Savino Marseglia, critic and curator of the Palazzo Datini in Prato, and Suomen the critique. Suomen
review.
"At the moment the only person worthy to bear the name of artist Esa Bang" (Zadek Martyn)
"... the performance of Esa Bang" La Sposa Occidentale, in which the artist, known for working as a model and performer for various artists (see biography www.artforartist.org), has developed a unique hyper-realistic staging of the bride, seen by ESA as an icon of self-destructive woman, as an identity denied, because soft and muffled behind the veil of supposed certainties and uncertainties manifest "(Suomen
Esa Bang
An erupting volcano
There is an artist who has" freedom, "she would say, as a nail fixed. This is because each person probably should not be entitled to realize their dreams, for ourselves first we are made of dreams for the words of Shakespeare? Because to be what we truly are, we must continue to suffer all manner of prison religious, social and moral system which we clip the wings and without each of us of their own identity?
Esa Bang For art can not be reduced to a simple passive activity: it is a real means of survival, a clear manifestation of inner urgency, which results in an act of liberation with which it is sometimes hard to measure.
His work finds its deepest reasons in an attempt to undermine the foundations of all those institutions, taboos, such as marriage, termination of those not only physical violence that often have to do with religious intolerance, l ' abolition of distinctions between the sexes up to the pain of her "not to be."
On each of these issues, this unique and versatile performer for the past five years leading his own original research and nourished by a deep commitment and by a driving creative tension. His body becomes undisputed staked its poignant performances. His limbs
thinking interact with one another reclaiming a neglected dimension of carnal and imaginative, historically located at the edge hypocrisy of a dominant culture has always been committed to conceal the corruption of their moral and ideological dirt through the degradation of 'subjective imagination and the rejection of the authenticity and freedom alive.
life itself, and indomitable rebel, Esa Bang - to make ends meet working as a life model - is the true source of inspiration for their live performances through which describes situations in a realistic way of life lived outside the rules, denouncing the hypocrisy and falsehood of moral conventions and neglect on the part of the human natural stage of life. The end result translates into an extraordinary communication skills and expressive language supported by the use of original and "rebel" who can go to the heart of the senses and hit him.
What most strikes the viewer in "The Bride West" is taken to the extreme realism of the event. An unabashed soul
natural gestures of the body with his indolence bursts in space, it expands, pulls the audience on which is poured the ritual of marriage, then take the accelerated rhythm of the breath with which it is formed the false identity of the ceremony, ending with a laceration of the white dress, expression of a ritual violated. The fixity of the absent face and naked body and property are ultimately the means by which it reveals to us the drama.
Research Esa Bang is a creative and highly effective open complaint about the contradictions of the roles imposed by a social and cultural alienation in his shabby and desolate monotony. There is an attempt to expose the falsity of female identity, to reveal the political, social and religious concealed in the word "marriage."
What interests the artist is to combine the subjective dimension of freedom and love, without separating them from themselves: freedom becomes a positive condition of reality, love, possibility of being viable to live so many love affairs during temporary life. Esa Bang
currently working on a series of provocative photographs of her body, transformed by his expressive power in women's identities, with the aim to dig deep in his underwear. An intriguing creative research that bursts like a volcano erupting, animated by a constant and continuous movement, which destroys everything that hinders and oppresses life. A volcano, which in its strength destructive, leaving countless paths emerge hot and deep furrows of freedom grasping to life.
Critical text Savino Marseglia
Best Place To Get Wax In La
Edgardo Sketch
MICROMUSEO HOSPITAL: EDGARDO SKETCH
The photo exhibition by Mario Garrubba Caio (who has had a significant apprezzamanto of "critical" and audience), gives way to a new exhibition: A unique work of Edgardo Sketch artist who died recently (2004), and 'also served as Director of the Academy of Fine Arts in Perugia. The fraternal friendship between the artist and the founder of micromuseo Luca Ricci led the latter to pay homage to the work that thirty years ago the artist gift 'to his family (he was a triptych) and then returned in 2003 Ricci' ( a single copy) to the master at his request, because 'it was no longer' himself in possession of works of that period and made the specific tecnica.L 'work (not original title) to be' on display tomorrow at 11.00 c / o the medical department of intensive Dott.Nazareno Miele was renamed during a "spirit" evening with the Master and Luca Ricci TG 31 with the symbolic title .... ----------------------
insert a biographical note dell'artistEdgardo Sketch was born in Perugia February 25, 1937. Among the major European artists to deal with the relationship between art and alchemy, he participated in the eponymous 1986 Venice Biennale International Art Exhibition (XLII) in the section edited by Arturo Schwarz, and has exhibited in solo and group exhibitions in major cities of Europe, of America and Japan. Formed in contact and friendship with members of the Roman art world, such as Roberto Melli and Corrado Cagli, Perugia and that such futuristic Gerardo Dottori Filippucci and Dante, in the '50s sketch was the lesson of love for Paul Klee, Picasso , Capogrossi, Jackson Pollock and the informal atmosphere. All this affects its first training next to curiosity about the technical craft and ceramics never abandoned. In '62 takes only twenty-five years director of the Institute of Art in Deruta, then directs the Art Institute and the Course of Industrial Design in Florence, and the Accademia di Belle Arti di Carrara, finally to Perugia. From 1976 to 1985 is also National Advisor to the Ministry of Education. Also in the 60s Sketch comes in contact with Martin Krampen and with members of the school of Ulm. At the same time participate in the Milan Triennale exhibits in Buenos Aires and Berlin, and enters into a relationship with Lucio Fontana, Osvaldo Calo, Edgardo Mannucci with critics such as Giulio Carlo Argan, Italo Tomassoni In the West, Joseph Gatt, Giancarlo Politi, punctual attendance rise to the reflection on one's position and the tensions in place. The work explores the theme in those years of elementary forces and totemic and sign. In 70 of the citations appear precise iconographic heritage of alchemy and a fruitful dialogue with the industrial processes. Half of those years are the first marble and collaboration in teaching, among others, Munari, Umbro Apollonio, Coppola and Fabro joined by Antonio Calderara and Getullio Alviani. In the meantime, do research on the dominant themes of light and shadow, of temporality, allegory, perspective, writing and drawing with light. Since the late 80s, after work on the stones monochrome watercolors are light, Wood, Machines and Scales, the sculptures with lasers. Meanwhile the friendship with Vittorio Fagone intensifies and deepens the investigation of the relationship between Art and Science that will allow him to return in the 90 themes of the figure of perspective, geometry. But as John Ventura in his "biography" printed catalogs in the last sketch, is the late '80 'encounter with two types of intellectuals such as Amedeo Rings and Franco Federici, to encourage in a further deepening and Edgardo Sketch verification of his poetry, one part Federici, a psychiatrist, theorist and professor at the Academy Perugia's theory of perception, allows him to develop an attitude to art is strongly linked to the depth of being, a quality of perception and intuition where every impression tends to be a sign, on the other side Amedeo Rings Sketch that facilitates the deepening of the relations between art and poetry, philosophy and science, these themes have always intrigued sketch, and now seem to rise to a greater degree of awareness. Amedeo Anelli, then introduced him to some very popular poets such as Guido and Marcheschi Daniela Oldani sketch that also meet on various occasions, also show respect and affection. " In the 90 parallel processing intensive riflessivache activity results in a targeted production of literary aphorisms (published in 'Kamen' "# 0, No. 19, No. 27," Concertino "in other catalogs and magazines). He attended the exhibition and educational activities have taken him to France, Spain, Germany, USA, China. Numerous publications catalogs, art books and art. Edgardo Sketch died suddenly July 20, 2004, in Perugia, following an aneurysm.
Dark Hair Blue Highlights
Clarke Garrison Daniel McVicar at micromuseo
second event in the contemporary art under the micro spaces, will be 'a provocative installation, created by Luca Ricci, titled "funeral MR.PIG for. " A real wake dedicated to Mr. PIG, a real pig in a coffin with a real authentic setting funebre.L 'installation is muovera'in impromptu and secret manner in citta'ogni time volunteers will want to make the mysteries of the day walking funebre.I Funeral will be conveyed by posters that publishes events related to the death of Sig.Pig born two years ago that put a final farewell to the world. The installation does not take sides for or against the use of dead animals, but also aims to provoke those who call themselves vegetarians a point of reflection on the meaning of respect for life, which in absolute values, it is not clear why 'puts the plant on a scale hierarchical moral than that of animals.
Travesti Camila Rodriguez Realite
Garrubba Caio Mario and Luca Ricci
February 14, 2009 Garrubba Caio Mario and Luca Ricci mark with only two works (two photos of the master and two interpretations of the same pictorial Ricci moments immortalized by Garrubba, in Casablanca in 1954 and 1955 in a garden in Paris): L 'idea was born by chance, a game dedicated to the intimate union between a man and a woman, in Valentine's Day. puo'nascere union for several reasons, but the emotion that is often characterized unique in its diversità.Contemporaneamente images of photos and paintings on display will be statically and in the evocative setting of proloco Spello, walking in the subway in Paris, by performers who walked through the crowd without a word of French clothing pictures of these cute hugs kissed. testify to an emotion-known and perhaps dimenticata.Sic et simpliciter.Inaugurazione February 14 at 11:30 am at proloco Spello IAT Piazza Matteotti 3.
The exhibition will be available 14 to 16 February 2009 9:30 to 13:00 hours and 15:30 to 17:00.
By micromuseo with the kind of common availability and proloco Spello.
info@micromuseo.it
334.2802528
Coordinator micromuseo in Paris: Jean Baptiste Paul Fercon: to know the routes of the subway performers and times you can contact the following addresses:
jeanpaulbaptistefercon@yahoo.fr
jeanpaulbaptistefercon@gmail.com
What Does Strep Throat Like
Tribute to the Albanian De Gregorio
Homage to De Gregorio
Tribute to Jose De Gregorio by micromuseo and Italian Art of Promotion
lr
in the exhibition halls of the City of Spello, a town sensitive to beauty and culture that always adds to the beauty of nature's love for art, Nature and History
meet and give meeting in place of the space-time art work. Art as a unifying body of the abstraction and concreteness, Nature and History, as the voice singing the old and the futuro.Il theme of the exhibition wants to focus on the ongoing dialogue between Nature and Nature Storia.La be guidelines and a pretext to tell the echo of the Old Mother, the mother of history and iconographic iconological values \u200b\u200band history as a tale that does not end in the variety of situations repeating itself in the origin myths.
Eight artists from various regions of Italy, has been carefully selected based on the representation of their work, were invited to exhibit works related to the chosen few, "Dialogue between Nature and History", which also wants to be a tribute to the memory of the master Spoleto Giuseppe De Gregorio.La presence of Giuseppe De Gregorio in the exhibition is testimony to the memory, a sign of respect and friendship that has united us up from the first meeting, and above all another opportunity for "dialogue" because Jose De Gregorio, an artist with a strong personality and creativity, he lived in the great desire that the painting was emotion of history and nature.
Authors their themes reflected in certain aspects of their mnemonic archive and acquisitions derived from specific cultural tools or mediated by sustained relationships with different cultural contexts and linguistici.Il comparison with different realities, the development aspects of professional or personal events were let 'say "metabolized" and then changed into their experiences artistiche.Il iconographic landscape will be very varied, but at the same time compact the willingness to stage the new geographies of discomfort, the place of today's concerns, a world of landscapes, bodies, animals, as in reality mutamento.Se "Art is the eye of the world", with the exhibition of Spello, we are talking with nature, with man, with the eye of the man who can see and think.
at SPELLO - Palazzo Comunale Piazza Garibaldi second-floor exhibition rooms.
Period: 2 to August 30, 2008
Authors: Massimo De Crescenzo-Tassan LUGREZIN Camogli ROBERTO RICCI LUCA-Venezia-Spoleto Stys JOANNA FRANCESCA GAISINA-Arezzo-Arezzo GRAZIELLA GHIORI-Isola D'Elba
LEONARDO Martellucci MARIA Spironello-Terni-Roma.
Sponsors: City of Spello (PG)
Editors: Italian Art and Promotion of Spoleto Micromuseo
Lyrics: Maria Laura Coletti
Hours: 10.30/13-15.30/18.30
Days Open: Friday-Saturday-Sunday
Free admission
OPENING HOURS Saturday, August 2, 2008 18 - follows COCKTAIL
Maria Laura Coletti
3396126032@tim.it
3315385083
Residence Collicola "The canonical" Hook, 14
06049 Spoleto (PG)
Luca Ricci
info@lucaricciart.com
3342802528
micromuseo Street Market 13
06049 Spoleto
PROFILES OF ARTISTS
CRITICAL NOTES ARTISTS DIALOGUE NATURE AND HISTORY-August 2, 2008 SPELLO
GRAZIELLA GHIORI
Bucine (Ar) 1945, lives and works in Arezzo and the island of Elba.
The artist works in the vein figurative realist and is open to all styles possible that his instinct in that exploit the capabilities of a versatile expression that has only one purpose: that of fidelity to real-interpreted by a sensitive soul to the recovery of a charged poetic figuration of moods linked to a modern but timeless beauty of unfailing.
Ghiori In the style of the skill of making plausible tends to communicate the magic of a place, in a situation of a psychological trait: an ongoing dialogue between thought and emotion, form and pictorial material that combine to make a painting full of romantic accents.
His work is offered as a willingness to take ownership through the representation of the surrounding world: landscapes and still life where there is always a happy emotion that is inherent to the personality of the artist and the character is constant.
JOANNA Stys
Poland 1975 lives and works in Civitella in Val di Chiana (Ar)
themes derived from the observation that the daily production falls the most typical and best known Joana Stys, tell the world disenchanted who interprets the subject in a humane and sentimental, with a simple palette and delicate.
In all canvases dominated by a coloring wise, a composite structure clear and straightforward, consistent in his unit, where veiled and transparency, light and shadow return the great surprise of the natural world.
The paintings that the artist displayed in the exhibition "Dialogue between Nature and History of Spello, a rich vibrant spontaneity to keep vibrations, discrete color effusions, evidence of a well-focused work and that may hold important developments, is conducted with rigor and heartfelt poetry of life as food.
FRANCESCA GAISINA
Uzbekistan
lives and works in Arezzo
Gaisina Francesca's works are presented as a vortex of material, shapes and colors that rotate around a figurative composition, lingering on the pleasure of the material and color, creating an emotional atmosphere that surrounds figurative elements.
themes and techniques may seem familiar but are measured and filtered, the original one and the other because the artist preserves in a corner of his memory and his heart of the climate and the color of his homeland .
Apparently the system seem impressionistic, in reality the vision is resolved constructive tone for the masses, if it ever closer to the painting "fauve.
Tuning culture and temperament, the young artist from Uzbekistan, is addressed in his works the attention to color and tone to
as forms and structures of the framework, conceived not as a mirror of an external reality but as a reality in itself, such as painting and nature.
LEONARDO Martellucci
Terni
Martellucci's work is configured on an expressive vocabulary strongly characterized by the predominance of the color / volume such as to give shape to a story from the complacency which are banned or voltage drops .
themes, colors, Martellucci not looking for them. Are just ahead, are his own world, the world around him, that his spirit is always open and available to meet.
His painting reminiscent of Action Painting, enhances the colors as the heraldic symbol of life and death. They affect our minds, are engaging and have a psychological value that leads to life, ecstasy, a poetic sensibility capable of capturing all traces of existence that the case gives rise to creativity, but also widespread utopian.
ROBERTO Tassan LUGREZIN
Venice
Available daily, framed by advertising campaigns and are often forgotten, the newspapers are following us everywhere, establish a contact with us physical and emotional.
The need to intervene artistically inspired me to seek an appropriate means of channeling the flow of information and images that pass daily newspapers.
The newspaper and the adhesive plastic materials are simple and widely disseminated, adapted to produce works whose technique is to scrape the surface of the paper with adhesive tape. I chose the words "Strapping" to call this action and gesture that unites the field .......
Massimo De Crescenzo
Camogli
Through the manipulation of natural raw materials, the subsequent reorganization and a significant rearrangement of residues, Massimo De Crescenzo comes to an elaborate form in which the end everything is welded to the autonomy of the work.
The representation of nature is not simple reconstruction, but complex fertility, balance of memory between symbols of different situations which will encourage a journey of imagination that bounces between the different forms of a different concept, a depth of connections that go beyond a pure evidence of materials and crashed deep in the esoteric.
Retrieve a representation of mythical values \u200b\u200bprimitivistic.
Projection shattered that gathers within itself evidence of the nature of memory, of external and internal history of the subject. Here travelers the eye and the mind, touch and memory, evidence and the invisible, in a network capable of landing in that unit anthropological generally denied perception of a daily basic.
The work is poetry and poetry is certainly busy.
MARIA Spironello
Rome, where he lives and works. Route artistic photography, painting, poetry. "The proposals implemented by the images, go beyond the tangible, even if the work done without manipulation is based on daily usable. The investigations are motivated by a" mental journey "implemented on metamorfosi.I walls, water, leaves, networks are filtered by emotion just behind the lens that can live and stop in the frame. As you said Elio Pecora: his is "the eye of a traveling companion, a careful witness who choose, explore, still, but especially enchanted. And the adventure continues the eye." As claimed by Giancarlo Consonni "touching moment, infinite."
LUCA RICCI
Spoleto
is expressed by both pictorial matter that he is modeled by tracing the ancestral human color memory object / subject, observed / observer.
The coloring is not just an exercise in style but is an expression of pain and discomfort of this humanity to which they often are ashamed to belong.
poetic evocation, allusion and ironic sociological tension, help to create and establish, through the practice of art that is always communication, an area of \u200b\u200bcounter-reality that is opposed to the negativity of daily life. Through thematic
-subtle political provocation - sometimes used as a sociological metaphors for human behavior, develop visual abstractions and evocative atmosphere of informality.
biennial catalog:
Wendy Calio Pretty Feet
Maximian micromuseo
SCULPTURE AS APPLIED ARTS Twenty years of research and achievements of the Albanian atelier
Maximian micromuseo
Friday, June 27, 2008 ore 9:50
Maestro Massimo Albanian guest micromuseo Via del Market 13 in Spoleto, at the Festival of Two Worlds in Spoleto, inaugurated the exhibition "Sculpture Art as Applied tomorrow July 28, 2008 at 19.00.Sara 'a journey of more than 20 years of sculpture for the theater and cinema the kind of world comunicazione.Una microantologica exhaustive process that led the artist
Spoleto to become what it is: a great man and a great artist that shows the dedication and time to his children "only work real living."
The exhibition will be open until July 13 2008.Orari 11.00-1300 17:00 to 23:00 Open to the public.
Maximian Albanian Curator of the exhibition.
information: Luca Ricci 334.2802528
"""""""""""" Maximian Albanian 333.1126784
info@lucaricciart.com
info@micromuseo.it
add some critical notes of Roberto Quirino and the artist himself:
passion for the arts and ongoing experimentation with materials and traditional techniques and innovative solutions, always guided my interest in sculpture, a discipline that is complex and difficult in the field of theatrical stagecraft expressive dimension closest to me and challenging. It is fact that the sculpture in the theater loses its value a bit 'abstract' art for art ", to take the field and engage with the other powers involved in the implementation of stage machinery, becomes, in fact," applied art ": always a valid and current creative phase strongly conjugated craftsmanship of an ancient craft.
Over the years, my professional experiences have ranged from theater to advertising, from the preparation of display spaces in structural elements for large events in open spaces.
addition to traditionally used materials such as wood, paper, leather, plaster, use for my prepared polystyrene, polyurethanes and resins as well or with fillers (sand or colored marbles) to simulate perfectly in color and 'appearance, noble materials as marble, with these techniques get realistic reproductions of great classical sculptures such as, for example, Michelangelo's David to CittàItalia.
Maximian Albanian
*
hands folded in her lap, the little nun is posing at the feet of his patron: Our Lady of Divine Vocations, with a gesture that welcomes both large and solemn children knelt, blessed by the son with the old sign of the Trinity. Children hover on a cloud of the apparent consistency wadding, while mother and son stand on the world. A rather unsettling, reflecting an imaginary catechism devotional from the fifties-sixties of last century, but suggestive of something that escapes the moment inexplicable. It 's the face of Madonna? Probably yes, just a little 'off, with net eyebrows, eyes slightly elongated nose of the barrel end and long, very slightly arched, mouth full and fleshy lower lip, ear lobe and the desired elegant stylized archaic. It 's the stylized face of a woman in the eastern Mediterranean.
Beat the Box! The Yellow Shark! Shut up 'n'play yer guitar! Three logos together in one huge styrofoam sculpture dedicated to Frank Zappa, musician who died too soon and that only now starting to understand the magnitude and importance. All the modern musician, lover of his time, its sound and its sound symbols, the Rock and Roll and Blues, Jimi Hendrix, The Beatles, and the sounds and sound symbols of all time, the noises, sirens, orchestras, voices, speech, Edgar Varèse, Maurice Ravel. Stylization in this case? The logo may be reduced to the size of a button, a brooch, a pin, but can be enlarged to poster size, of a poster, a billboard as big as the facade of a building. Why this sense of displacement even in the face of this great sculpture ...? Yeah, maybe because it is a monumental sculpture of about six feet high, all round, you can turn around and look at it from the bottom up, far and wide! We feel a bit ' to turn around a button, a pin! The logo, a stylized commercial message, has become a sculpture, in turn, stylization, as always, the data of reality, ways of understanding and representing reality, even when not using the physiognomic recognizable figure, but the data or the sign abstract. The faithful representation of reality and nature has never existed: Ceci n'est pas une pipe Ceci n'est pas des logos ... ... It goes without saying that the sculpture for the 1998 Zappadays is a hymn to the joy of life, music , to fantasy and imagination.
Fantastico is also the monumental and sculptural space for the Aida of Narni, Stage powerful machine that opens to decorate, define, organize space and action drama.
Maximilian I looked very often at work: his gestures are meticulous, touching lightly the clays, papers, leathers, colors, and even stones, marbles, aggregates and plastics: the use force, as required by these materials, does not mean using the heaviness. His eyes carefully watching the outcome of the work, fully mindful of the stadium the previous working and aware of the need for transactions carried out and / or to be undertaken. A movement, a surface corrugation of the pictorial or sculptural always have their reason. "Being able to see "is necessary both for the appreciation of a work of art is for art, and is a sign of passion, respect for culture, for thousands of years of working men for their own and others' work.
Roberto Quirino
SCULPTURE AS APPLIED ARTS Twenty years of research and achievements of the Albanian atelier
Maximian micromuseo
Friday, June 27, 2008 ore 9:50
Maestro Massimo Albanian guest 13 Market Street micromuseo of Spoleto, on the occasion of the Festival of Two Worlds in Spoleto, inaugurated the exhibition "Sculpture Art as Applied Tomorrow July 28th, 2008 at 19.00.Sara 'a journey of more than 20 years of sculpture for the stage and the world of cinema comunicazione.Una microantologica sort of exhaustive process that led the artist
Spoleto to become what it is : a great man and a great artist and the exhibition devotes time to his children "only by real living."
The exhibition will be open until July 13 2008.Orari 11.00-1300 17:00 to 23:00 Open to the public.
Maximian Albanian Curator of the exhibition.
information: Luca Ricci 334.2802528
"""""""""""" Maximian Albanian 333.1126784
info@lucaricciart.com
info@micromuseo.it
add some critical notes of Roberto Quirino and the artist himself:
passion for the arts and ongoing experimentation with materials and traditional techniques and innovative solutions, always guided my interest in sculpture, a discipline that is complex and difficult in the field of theatrical stagecraft the expressive dimension closest to me and stimulating. It is fact that the sculpture in the theater loses its value a bit 'abstract of "art for art's sake", to take the field and engage with the other powers involved in the implementation of stage machinery, becomes, in fact, "applied art" means a valid and current phase always highly creative craftsmanship married to a trade old.
Over the years, my professional experiences have ranged from theater to advertising, from the preparation of display spaces in structural elements for large events in open spaces.
addition to traditionally used materials such as wood, paper, leather, plaster, use for my prepared polystyrene, polyurethanes and resins as well or with fillers (sand or colored marbles) to simulate perfectly, color and appearance, noble materials as marble, with these techniques get realistic reproductions of great classical sculptures such as, for example, Michelangelo's David to CittàItalia.
Maximian Albanian
*
hands folded in her lap, the little nun is posing at the feet of his patron saint: Our Lady of Divine Vocations, with broad gestures and solemn receives the two children kneeling, blessed by the son with the old sign of the Trinity. Children hover on a cloud of the apparent consistency wadding, while mother and son stand on the world. A rather unsettling, reflecting an imaginary catechism devotional from the fifties-sixties of last century, but suggestive of something that escapes the moment inexplicable. It 's the face of Madonna? Probably yes, just a little 'off, with net eyebrows, eyes slightly elongated nose of the barrel end and long, very slightly arched, mouth full and fleshy lower lip, ear lobe and the desired elegant stylized archaic. It 's the stylized face of a woman in the eastern Mediterranean.
Beat the Box! The Yellow Shark! Shut up 'n'play yer guitar! Three logos together in one huge styrofoam sculpture dedicated to Frank Zappa, musician who died too soon and that only now starting to understand the magnitude and importance. All the modern musician, lover of his time, its sound and its sound symbols, the Rock and Roll and Blues, Jimi Hendrix, The Beatles, and the sounds and sound symbols of all time, the noises, sirens, orchestras , voices, speech, Edgar Varèse, Maurice Ravel. Stylization in this case? The logo may be reduced to the size of a button, a brooch, a pin, but can be enlarged to poster size, of a poster, a billboard as big as the facade of a building. Because this sense of displacement even in the face of this great sculpture ...? Yeah, maybe because it is a monumental sculpture of about six feet high, all round, you can turn around and look at it from the bottom up, far and wide! We feel a bit 'to turn around a button, a pin! The logo, a stylized commercial message, has become a sculpture, in turn, stylization, as always, the data of reality, ways of understanding and representing reality, even when not using the physiognomic recognizable figure, but the data or the sign abstract. The faithful representation of reality and nature has never existed: Ceci n'est pas une pipe ... Ceci n'est pas des logos ... It goes without saying that the sculpture for the 1998 Zappadays is a hymn to the joy of life, music, fantasy and imagination.
Fantastico is also the monumental and sculptural space for the Aida of Narni, powerful stage machine that opens to decorate, define, organize the theater space and action.
Maximilian I looked very often at work: his gestures are meticulous, touching lightly the clays, papers, leathers, colors, and even stones, marbles, aggregates and plastics: the use force, as required by these materials, does not mean using the heaviness. His eyes Pay attention to the result of the work, fully mindful of the stadium the previous working and aware of the need for transactions carried out and / or to be undertaken. A movement, a surface corrugation of the pictorial or sculptural always have their reason. "Being able to see" is necessary both for the appreciation of a work of art is for art, and is a sign of passion, respect for culture, for thousands of years of working men for their own and others' work.
Roberto Quirino
Shingles Around The Breast
Befana Oncology
link to the document 
Luca Ricci reign
In response to the letter of Lamberto Gentili on the 'scaremongering micromuseo created by the installation of the Epiphany, I will provide some information, however, anticipating the other because it is my pay for three years for office rent and management of space within the historic center (non-profit and not having founded a charity) called micromuseo and produces more than 2 years and offers contemporary art by myself and 90 other artists and performers to to date have been proposed within the micro and the world: micro museum represents An antidote to the boredom of living in the former city 'of the festival, LIVING THE DREAM OF A POSSIBLE HIS RESURRECTION. (FOR U.S. AND OUR CHILDREN)
In the days between 20 December 2007 and January 13, 2008, the micromuseo Street Market 13 in Spoleto, hosted two installations made by the artistic director of space: one devoted to Christmas and the Epiphany. Although the creator of the facilities staff at the newspaper spoletonline, it was not considered necessary to anticipate or comment on the content via the media: it was much more 'interesting for the writer to record the comments and spontaneous reactions of a random passer-full of parcels and packets is confronted with an object hits a pickaxe. The installation
Christmas Santa Claus in fact consisted of a human form lying on the ground and crushed by a copper pipe about 4 feet high, on top of a written in large letters, done with brush and blood (my) mixed with paint, on the back wall, he said .. "IS NOT 'ALL FOR CHRISTMAS" (complete with skulls in acrylic to clarify the message to the distraction of contemporary history).
For installation instead made this our letter of reply-comment, or "THE EPIPHANY Oncology", states the following:
live permanently in this country and in this city, for about three years or since the
'meeting between me and Poldo Corinthians and desire to be near my daughters took over the ego is gratified that the awards in Europe & Related Art.
So long as it was far from the political and social dynamics of the region and even more 'city' I've always been very aware of the so-called "affarucci neighborhood" and then only because he had a relative work of bladder cancer I recently discovered that, according to a major health representatives' public, for that kind of cancer for 20 years has pride of Spoleto (100 cases-in-triangle
Foligno_Valnerina-Spoleto, Spoleto would be 90), awakens in me wonder
that in 20 years only I could have had this confidence information, who should certainly know already knew a long time.
Being informed is the right of every citizen in a civilized society and ask for a duty.
POST SO IF YOU WANT TO KNOW WHAT 'ANYONE WHO HAS ALWAYS BEEN KNOWN
wanting to know ... ..:
REGION SITE LINKS TO LINK TO PDF DOCUMENT (Epidemiological Observatory REGIONAL)
take advantage of the press to announce a new installation
BIOS that will last' micromuseo in a month from next Monday until February 14, 2007,
called "REALROJO.
Kindness'
Luca Ricci
psLe next installations will be more cheerful .. and vital (life is also beautiful)
link to the document
Conceive Right Before Period
paradosis GNOSTIKE
Monday September 30 at 8:30 am, at Spoleto in hospital intensive care ward run by Dott.Nazareno Honey, a month after the exhibition "Artists in Formentera 6" 20x20, micromuseo proposes an installation of Luke Ricci consists of two tele-symbol
entitled "paradosis GNOSTIKE." The work aims to interpret the thought of item
Zolla, on the ontological significance of the relationship of good and evil, does not it look more 'as thought or opinion, but as truth 'as we did, as the key to the present, which is anchored to the' traditional knowledge or the knowledge that always 'beyond' the historical patterns umani.Il attempt to recover the truth ', tarnished by Enlightenment rationalism and subsequent developments up to our vision of the world tempo.Una innovative but ancient, hidden among the folds of time and oblivion. The exhibition ends on October 30, open the door for an elderly artist Empoli: Aramis Paolo Gelli.
Wednesday, November 18, 2009
What Are The Best Golf Grips To Buy
NT Ripoli 6
Pizer Giare 2
Networks: De Vincentiis (5), N. Bandini
Booked: Bardelli
Wednesday, November 11, 2009
Coreldrawfor Invitation Business
RIPOLI NT 4 7 SURF CITY
Networks: Bardelli (3), Ciardi.
Booked: Saviozzi.
Tuesday, November 3, 2009
Subscribe to:
Posts (Atom)